Without a shadow of doubt, I agree with the critics views of Othello never realising the bout he played in the disastrous outcome of the play. air sick fate, his mistrust for Desdemona, and Iagos sick, pointless arts definitely did play their go along in the tragedy, but, up until his outlast words in his last soliloquy, Othello never realised his guilty role. Othellos biggest flaw was that he let his emotions run the show. He never once reflected and realised this. look of of being cool, calm and collective in uncomfortable situations or in doubt, which is the way he wouldve displaceed in times of war, his favour feelings took total control over him. This got so out of devolve that he ultimately turned himself into a cold-blooded murderer. I am a firm believer of fate and that the stars arrive at required outcomes, some splendid, some tragic. This fate was certainly clash against Othello in the play. It manifested itself throughout the play, bringing about the ho rrid outcome. genius use being when Desdemona dropped the handkerchief in an interpret of saturated uncorrupted in Act 3/3/290. Ironically, this went against her when Emelia make it and gave it to Iago. Othello because let Iago manipulate him with the handkerchief, which was used as the biggest fake reflection of Desdemona being unfaithful. An separate instance of fate was the terrible clock of Emelia knocking on the door in the final scene, 5/5/86. Had she arrived a minute earlier, Othello would have been delayed with his diabolical act, and may have possibly been put off the act all together with some word from Emelia. But the crapper that ran against Othello cannot overshadow the how guilty he is. He never checker up the proofs and ended up trusting Iago over his wife. The separate theme that... If you want to get a full essay, lofty society it on our website: OrderCustomPaper.com
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